Also, I tended then, and still tend, to absorb fairly quickly and thoroughly the "writing lesson" offered by whatever I am reading--the lesson in form, structure, phrasing, word choice, sensibility, and so on, what can be learned from another writer. Some are by now familiar: It was from this two-volume edition that I chose to work when I began my translation of the book into English. One of the great pleasures of reading Proust over and over again is discovering how all these changes had been planned ahead. You never know what is coming next. I may have learned from Proust that there is almost no limit to how extensively or deeply one can explore a single perception or emotion, even a fleeting one. There was a more definitive French edition available, and later in the project I put my old edition aside and continued the work using that text, but in the beginning I worked from the older books for reasons partly sentimental and partly aesthetic.
One of the major obstacles I’ve encountered, which seems to be shared by many Proust admirers, is how to engage those who have little or no knowledge of Proust in his magnificent work? I was living in France at the time. Independence Ave SW &, 7th St SW, Washington, DC 20560, États-Unis I know approximately, but not exactly, when I first read Proust. I know approximately, but not exactly, when I first read Proust. I say paradoxically, of course, because one might not associate economy with the stupendous length of the entire seven-volume CULTURAL SERVICES OF THE FRENCH EMBASSY IN THE UNITED STATESCULTURAL SERVICES OF THE FRENCH EMBASSY IN THE UNITED STATES Hirshhorn Museum and Sculpture Garden I’ve maintained the “Radio Proust” web site for almost six years now, and have concurrently been teaching a course called “Proust and His World” for the Osher Lifetime Learning Institute at UC Berkeley. I bought the little cream-colored two-volume Gallimard edition of the first book of the novel--I know exactly where I stopped in the book--about two-thirds of the way through, I'm sorry to say. Characters change all the time.
One of the great pleasures of reading Proust for the first time is going from surprise to surprise. I almost never read a book before beginning to translate it, for several reasons, the most important being that the excitement of not knowing what comes next keeps the work of translation fresh and stimulating. https://t.co/Ob6hVb5XN2” I enjoyed returning to the pages that a younger self had labored over, as though working alongside her; and these small-format, light-weight, handsomely designed volumes with their cream-colored, textured pages--I don't know if the paper is rag or not, but you can see variations of color and material in its weave--and their dark, deep, clearly imprinted type are a pleasure to hold and read.I did not finish reading the book before I began to translate it, nor did I go back to the beginning and read it all the way through.
One of the great pleasures of reading Proust for the first time is going from surprise to surprise. I read Swann’s Way for the first time in the mid-fifties, as a student in literature at the University of Aix-en-Provence. I was probably 24 or 25. Dozens of clues point the reader in the right direction if only the reader knew how to read carefully and remember everything he read. Se demande Marcel Proust dans son carnet de notes en 1908. Clearly I was interested enough to read two-thirds of the book without giving up, and that says something. I must have learned that although plot has a role to play in a novel, it does not have to be primary, and in fact the novel is almost always more interesting when plot is not primary. And another thing I must have picked up was, paradoxically, the importance of economy, of finding the exact expression of a thought, of not groping after the right words.
One year(it must have been around 1955), A la recherche du temps perduwas prescribed reading, along with Stendhal, Baudelaire and Charles Péguy. So two-thirds of the book was a very distant, surely buried memory, and the last third was entirely new to me.What is hard to determine is what sort of influence reading Proust for the first time had had on me as a young writer. I read Du côté de chez Swann for the first time as a sophomore and was fortunate in having a charismatic instructor introduce me to the then strange and wonderful world of Marcel Proust. But that is also consistent with the way I read then, and still read, in the case of many books, even the most interesting and even the most significant to me personally. I bought the little cream-colored two-volume Gallimard edition of the first book of the novel--Du Côté de chez Swann.. Suis-je un romancier ? One of the great pleasures of reading Proust over and over again is discovering how all these changes had been planned ahead.
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