The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil at a crossroads, exchanging his soul for unlimited knowledge and worldly pleasures. We listen to a recording with the excellent interpreters Jose van Dam and Cheryl Studer.This choir piece with ballet is one of the most famous pieces of this opera, the so-called soldier choir.This aria of the devil was to be sung in the French style, not diabolically ugly, but elegantly amused. This led to a nervous crisis during the composition of Faust and he had to be hospitalized for a short time.The church scene with the devil is proverbially devilish and incredibly dramatic in its layout and music. First Angela Gheorghiu and then the quoted Maria Callas.With great playfulness and beautiful voice we first hear Angela Gheorghiu.Next is Maria Callas. The intensity increases steadily up to the climax of the aria with the spectacular high C, which should be sung tastefully and must under no circumstances be coarse and craving for recognition, which would destroy the mood of this piece. This aria was not yet included in the first version of the opera. 2:48:02. This poetic twilight, this musical moonlight, which caresses the listener, enchants and enchants him little by little, and is filled with an excitement that increases until the very end, is admirable. He attended the theological seminary and wore a priest’s robe.
Just think of Berlioz’s symphonic poem or Boito’s opera Mefistofele. The libretto was based on Carré's play Faust et Marguerite.Carre's play was, in turn, based on the first past of Johann Wolfgang von Goethe's Faust.The opera was first performed at the Théâtre-Lyrique in Paris on 19 March 1859. the dungeon scene of the Trovatore or works of the grand opéra), the brevity of this passage is astonishing. Marguerite first sings the ballad of the King of Thule and then the famous jewel aria.In the aria ” il était un roi de Thulé ” Gounod paraphrases the verses from Goethe’s Faust.
Gounod’s Faust was written in the decades of pleasure-seeking Paris before the Franco-German war. Ruggiero Raimondi was an excellent, impressive performer, equipped with an impressive, powerful sound organ.A beautiful choral-like piece completes this scene effectively.The music of this scene has become known under the name “Faust-Walz”.The third act is the most important act of this opera. “When he made his first recordings, this problem was at any rate solved, as the splendid recording of Salut, demeure chaste et pure, which he sang in February 1906 and in which the fusion of the lyrical with the heroic can be heard very beautifully, shows: developed from a tender mezza voce, the voice blossoms more and more and unfolds on a splendid high C, which makes no signs of a troublesome plague. If one takes comparable scenes from other works as benchmark (e.g. ” (Fisherman, great voices)The ninth scene of the third act is made of two highlights of the opera. On Mephisto’s question what he strives for, he mentions the pleasures of love.
WARNER BROTHERS with Cheryll Studer, Richard Leech, Thomas Hampson and José van Dam under the direction of Michel Plassson and the orchestra and choeur du capitole de Toulouse et le choeur de l’armée francaise. It captivates with fire and ecstasy. The piece is short and yet demanding for the singer, who has to carry the nuances of this aria over the “noise” of the orchestra.We hear a bombastic production from the Vienna State Opera. This Russian bass, born in 1873 near the Tartar city of Kazan, was also called the greatest bass in history. And this magnificent scene is crowned by Margarethe’s monologue at the window. ; Cette légende a également inspiré la très célèbre chanson de Queen, Bohemian Rhapsody. Many of the role portraits are still influenced by him today.
The most famous literary model is that of Goethe.
Before that, he had been organist and choirmaster of a church for six years.
An observer who later described these scenes was Jules Massenet, who witnessed this very closely as the timpanist of the orchestra. She can impressively sing the different mood changes Margarete goes through in this aria.Most of this opera is written for a lirico-spinto soprano, a dramatic soprano that can faithfully represent the entire spectre of feelings: She must depict the innocence of the young woman, then the lover of Faust, the faithful churchgoer, then the tragically abandoned and finally the insane, imprisoned.
Gounod’s Faust is one of the great operas.
Her brother Valentin returns from the war and is furious to find his sister pregnant. Cet opéra a été créé en 1859 par le compositeur Charles Gounod (1818-1893). Berlioz said that this trick of Gounod “is much more of a pity than a help to the whole, and I think the singer Duprez was right, who one day, when an instrument solo in the orchestra accompanied him during a romance, said: “This devil’s instrument with its runs and variations irritates me like a fly that whirrs around my head and wants to sit on my nose. Gounod suffered under the dictatorial theatre director Cavalho, who at the same time was the piece’s director.
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faust, opéra histoire